The Host

Stephanie Meyer breaks away from her vampire romance juggernaut to introduce a new story involving alien parasites called "souls"- shiny centipede looking species, that invade planets around the universe, take over the dominant species and, in their altruistic view, make them better.

As they overtake Earth, and secretly begin invading the bodies of humans, relationships are torn apart as loved ones bodies remain in tact, but the person inside is replaced with a higher evolved and peace-loving soul - the only physical evidence of takeover being eyes that are now reflective. Humans struggling to remain human take desperate measures to hide and survive. Melanie Stryder and her younger brother, Jamie, both human, are discovered stealing food when another rogue human, Jared, discovers them. Jared and Melanie form an intense bond and the three become a tight-knit family. When Melanie is discovered by a Seeker, a member of this alien race whose main purpose is to discover, catch and transform any remaining humans, her body become inhabited by a soul who goes by the name of Wanderer. Wanderer struggles to control Melanie's being as flashes of Melanie's memories, feelings and urges all complicate the normally peaceful process. Eventually, Wanderer chooses to leave her peaceful peers and, using Melanie's memories, discovers where Jared and Jamie are now hiding with other human rebels.

First of all, this book should never have been given the title The Host. The host is Melanie and this is not Melanie's story. It is Wanda's (the name Wanderer is eventually shortened to). Melanie is a strong character and certainly influences the direction of the plot, but as Wanda is developed more and more, and establishes her own relationships with supporting characters, the conflict, climax and resolution all focus on Wanda and her journey. Call it The Wanderer. Or The Soul. Or The Beautiful Shiny Centipede-looking thing.

Secondly, the entire story was too long. Wanda, separate from Melanie, falls in love with another human, Ian. But she looks like Melanie and is influenced by Melanie's feelings so she's attracted to Jared. Jared hates Wanda, because she essentially killed the woman he loved. Except that she looks like Melanie. And he is attracted to Melanie. Ian falls in love with Wanda, and her gentle altruism, and becomes convinced he'd be attracted to Wanda regardless of what form she takes - even her shiny centipede form. I don't think so, but Ian was one of those good-all-the-time-guys so...I guess. Ergo conflict. Jared-Melanie-Ian. Jared-Wanda-Ian. Wanda-Melanie-Ian. Wanda- Melanie-Jared. I found this love triangle storyline interesting and complicated. Unfortunately, it was too drawn out alongside several other different story lines, including Wanda's life being in danger from angry humans, Wanda's realization that her species was wrong to eradicate human beings, descriptions of Wanda sleeping on hard dirt (again and again), the angry Seeker who inexplicably won't go away, the plot to get medicine, the plot to get food, the plot to recover other humans, the plot give Melanie her body back and on and on and on. By its end, I was tired. Overloaded with perhaps interesting, but too much, information. The idea of sequels makes me shudder.

If it sounds like I'm Stephanie Meyer bashing, I'm not. I think she comes up with unbelievably original ideas. I simply don't like how she tells them. I think her stories are better suited for movies, or - if she would really, really try - shorter books. There should be a really good reason to justify publishing over 600 pages and this doesn't seem to have one. Except that all parties involved must have known that based on the Twilight series success, this book would sell like hotcakes. Why not make it heavy and charge more?

In the end, this is an average book. Not awful but not great. For me, the ride ends here.

Breaking Dawn

I've decided that as rich and famous as Stephanie Meyer is, I would never want to be her. I don't believe I've ever read about any other author who has sold as many books as she has, but has also been as harshly criticized as she has been. As likely as it is to find someone who stays up all night to finish her books, it's just as easy to find someone who hates her writing, hates her characters and pretty darn near hates anybody who reads her books.

As in most areas of my life, I am a Stephanie Meyer moderate. The right makes me shiver with their extreme obsession and devotion and the left gives me a head ache from all the eye rolls I'm forced to do after reading overly critical reviews.

Breaking Dawn brought the Twilight series full circle for me. I'm not even going to bother with a recap because if you don't know what it's about by now, then you can't possibly care about what I'm going to write. I excuse you.

With all my up-to-date hindsight, I can say that I really enjoyed Twilight, was disappointed with New Moon, was slightly confused and cared less about Eclipse and thought Breaking Dawn did a satisfactory job of tying up some of the more important loose ends.

Finally, finally....Bella gets to have sex with Edward. Phew! I'm so glad Meyer got it over with at the beginning of the book instead of drawing it out for another 500 pages. She writes it modestly, honestly and kept it what all married sex should be....private. I could say more, but suffice it to say, I appreciate Meyer keeping it real. The passion was there, the awkwardness and anxiety ever present, but most importantly, the love and fun were there too.

Like a lot of readers, I found the "Jacob" chapters boring. I have never felt the connection between Bella and Jacob and only believed it because the author kept telling me, again and again and again, that they had one. So they had one and it felt even more unbelievable and creepy after Bella was married. Considering the ending and the birth of Edward and Bella's baby, Reneseme (worst baby name ever, I believe) I understand the need; we need to believe Jacob's devotion to Bella and live through his own confusion over it, in order not be completely disturbed by Jacob's subsequent devotion to Reneseme. Still, it didn't make for great reading.

I really liked the end. I liked the happy ending. I liked the other vampire characters and the description of their cool gifts. I liked that the good guys won. That is young adult literature. Good triumphs over evil! Stand up to the bully! Work together and accomplish the impossible! Mostly, I liked Bella being a vampire. Finally, she was comfortable in her own skin and it actually made her likable. Perhaps, Meyer meant to have Bella annoy us readers through three long books so that we could see the improvement when Bella makes the transition from mortal to immortal, although I doubt it. Meyer is a genius at writing conflict - not characterization.

My greatest complaint was that Edward never got back to being Edward. I'm going to have to accept the character she gave me in books 2, 3 and 4 and forget about the interesting and better developed Edward from Twilight, who has never reappeared in any of the sequels. Oh well.

Oh, and the word, "Ugh". Nothing screams false like an angry teenage werewolf feeling frustrated and shouting, "ugh!". I'm not promoting obscene language or anything, but...really? Ugh?

I'm glad she releases her books in the summertime, because Breaking Dawn is an enjoyable summer read.

Princess Academy

I enjoyed this so much more than I was expecting to. Shannon Hale keeps surprising me and I think this the best of all her books I've read. Of course, Austenland has a different target audience, so...really, I can only say that this outranks Goose Girl.

I hate the title. It reminds me of a Disney movie that stars Amanda Bynes or Anne Hathaway or somebody that little girls want to grow up to be like. The title actually kept me from reading this earlier. It sounded silly. In reality, however, the title is completely appropriate (I certainly can't think of a better one) and a great book for girls and their moms (sorry guys, but I don't think you'd enjoy it).

Mira is a fourteen year old Danlaner who lives on Mt Eskel with other mountain village families. When the prince's representatives come and announce that the prince will choose a bride from Mt. Eskel, each girl between the ages of 13 and 18 are forced to leave their families and attend the "princess academy" where they learned to read and write and learn the basics in commerce, poise, conversation and dance. After a years time, they meet the prince but Mira also realizes how much more enlightened she is with her education - princess-to-be or not. She uses her knowledge to better her village, defend her family and figure out the secret of "quarry-speaking".

Part fantasy, part romance, part coming of age, part fairy tale, I enjoyed this quick read.

The Subtle Knife

I am not a fan of forwarded emails. They frustrate me, because they usually come from the same group of people, people I like a great deal but who never send me a normal "hey, how's it going?" message. Just "Support our Troops" or "Tell every woman you know she's special" or "Microsoft is running a test and if you send this you could get a check for $1,000!" When I see the letters FWD in the subject line, I usually simply delete it.

I lost track of the number of emails I received telling me about the Anti-God movie The Golden Compass and the need to boycott the movies and the books. It was well over ten. Ten people wanted me to send that email on to everyone I know, telling them the same thing. Don't see this movie! Don't read these books! Alert! Alert! Alert!

Nothing like calling attention to something like a planned boycott. I haven't seen the movie, because I'm cheap and it's not something I'd take my kids to or something I'd be prone to see anyway, but as I had already read the first book in the series, enjoyed it and hadn't found it to be Anti-God, I was curious to read the next to see what the fuss was all about.

I don't know if the emails worked and I read with a bias, but I did not enjoy this second book. Not because it is Anti-God...which it really isn't, but more anti organized religion and organized religion's version of god, but because the writing is bad.

Dialogue - choppy.

Descriptions - cliched. (how do I get that little accent marking over the e?)

Storyline - totally falters.

I felt enormously disappointed in the direction of this book. Lyra, the young female protagonist in search of dust and her father, all but disappears in this second story. She still plays a part, but now as the sidekick to Will, a new character who is a giant "young adult fiction" stereotype (in search of the father he never knew while protecting his mother from bad guys and seems to be gifted in the combat department). I don't remember the writing being bad in the first book. I thought it descriptive and unique and thoughtful. Not so, in The Subtle Knife. Pullman changes gears and loses focus. There is a lot more going on and none of it is developed well. I stopped caring about the characters and their goals.

I think these books had great potential. There could be a lot to discuss with adolescents (not young children...at all). The nature of the soul, the natural man, the costs and benefits of religions. All appropriate things to discuss with youth ready to question and discover on their own.

Pullman takes that conversation away with his lack of metaphor. It becomes impossible to argue, "I think the dust means this." or "what do you think The Authority is for Pullman?" when he throws his opinion at you with real life Christian beliefs. It's inappropriate and unfair. Write a fantasy or a satire or a parable if you want to. Other authors have done it...and done it well.

Pullman didn't.

I won't be reading the third book.

The Golden Compass

This series, written by Philip Pullman, was recommended during my reading rut by Anne and I have to say that I am so glad for her recommendation. I don't think I would have picked it up, otherwise, and this was highly enjoyable reading for me.

The series is called His Dark Materials, and The Golden Compass is the first book in the series. In it, the main character, Lyra, an eleven year-old girl, is introduced. Also introduced is the idea of daemons, which, while never actually explained, I'm going to describe as a kind of soul for human beings. Each person has a daemon, which is an animal who is with its person at all times and sort of reveals the mood and character of their human partner. Childrens' daemons can change, and do depending on need and situation. Lyra's daemon, Pantalaimon, changes between a moth, when Lyra is trying to hide, a lion when she's trying to intimidate someone else, and everything in between. I absolutely loved the symbolism it provided throughout the entire story.

Lyra is given an alitheometer, which is a truth telling compass that, through a series of needles, point to objects symbolizing the answers to questions she asks. No adult knows how to read it, and Lyra herself seems unaware of the great gift and power she possesses. Again, lots and lots of symbolism.

While this is billed as young adult fiction/fantasy, and has all of the exciting story lines that would provide hours of amusement and discovery for that age group, this plot...this idea is so complex that any adult should enjoy it. The dark materials, Dust, is viewed by some in the Church as evil, only because it is misunderstood, and therefore to be removed and destroyed. Experiments have revealed that Dust surrounds adults, but not children, and a theory is proposed that it settles only when a person's daemon becomes permanent and cannot change anymore. To test their theory, the group of researchers funded by the church, kidnap children of the poor and experiment "cutting" away their daemons so that this process can never happen. The children are left soulless and all die from confusion and shock.

Incredible analogies, fascinating settings and fantastical characters make this series one I look forward to reading!